Carl Larsson
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Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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David, Jacques-Louis
Head of the Dead Marat
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ID: 62520

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David, Jacques-Louis Head of the Dead Marat


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David, Jacques-Louis

French Neoclassical Painter, 1748-1825 Jacques-Louis David is famous for his huge, dramatic canvasses of Napoleon and other historical figures, including Oath of the Horatii (1784), Death of Marat (1793) and The Sabine Women (1799). Early in his career he was a leader in the neoclassical movement; later his subjects became more modern and political. David was himself active in the French Revolution as a supporter of Robespierre and is sometimes called the chief propagandist for the Revolution; after the Reign of Terror ended he was briefly imprisoned for his actions. When Napoleon took power David became his court painter and created several grand canvasses of the Emperor, including the heroic Napoleon Bonaparte Crossing the Alps (1801) and the enormous Coronation of Napoleon and Josephine (1807). David also painted Napoleon in His Study (1812),   Related Paintings of David, Jacques-Louis :. | Head of the Dead Marat | Helene Galitzine Study for 'Lady in blue' (mk35) | Woman in a Turban | Madame Charles-Louis Trudaine (mk05) | Portrait of Jeanbon Saint-Andr |
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Johann Rudolf Huber
Johann Rudolf Huber (April 21, 1668; February 24, 1748) was an eminent Swiss portrait artist. Among his famous subjects were Charles III William, Margrave of Baden-Durlach, Joseph I, Holy Roman Emperor and Albrecht von Haller .
Gigo Gabashvili
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Leonardo Bazzaro
(Milan, 1853-1937) was an Italian painter. After picking up the basics in the studio of the painter Gaetano Fasanotti, Bazzaro enrolled at the Brera Academy in Milan, where he was awarded the Fumagalli Prize in 1875. The following years saw a series of perspective views set in Milanese churches and mansions. The success achieved with the public and critics alike at a number of major national and international events prompted him to take an interest also in portraiture and landscape painting, for which his favourite settings were Venice and Chioggia. The works of the 1880s and 1890s also include increasingly intimist scenes of everyday life in the setting of Valsassina, Valle deAosta and Verbano. Bazzaro continued to take part in numerous exhibitions in the region of Lombardy as well as the Venice Biennale and the Rome Quadrenniale right up to his death, always achieving great success with collectors and being asked to execute replicas of his most popular subjects.






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